The Gosh Guys: Something Gritty In My Pudding (1992)

Something Gritty In My Pudding [Gleet&Gumma009] [Jun 1992]: 1 Paramedic Elf; 2 Phallic-Head; 3 I'm So Hungry; 4 Cremation Day; 5 Stir-Fry My Pancreas; 6 Wishin' For A Wig; 7 Canadian Refugee; 8 I Hope I Don't Get Run Over By A Train; 9 Schizophrenia In The 17th Century; 10 Flaming Jell-o (A Cappella Version); 11 Liquid Plumr; 12 I'm Bored; 13 She Coughed Up Phlegm (Subway Love); 14 Cereal Commercial Music; 15 Science Friction [XTC]; 16 Existential Fred Finkle; 17 The Fizz Wizz Song (With Solo By Pylon); 18 Waddle Conduits; 19 Wey Wey Hep Uh Hole [The Soft Boys]; 20 Oblong Pool '91 (With Keyboard Player, Humongousfungusamongus); 21 Where Is My Mind? [Pixies]; 22 Totally Tubular Bells [Mike Oldfield]; 23 White Tornado [R.E.M.]; 24 Graham Lives; 25 Woodsy Owl Live; 26 That's A Lie! Live [Too Much Joy/L.L. Cool J]; 27 Madonna Buys A Giraffe Live; 28 Particle Man Live [They Might Be Giants]; 29 I Want A Big Rubber Dog Live; 30 Crucify Yourself Live; 31 His Mouth Has Been On That Live; 32 If I Only Had A Nose Live; 33 Where Is My Mind? Live [Pixies]; 34 Ack Ack Ack Live [Urinals]; 35 Flaming Jell-o Live; 36 I Don't Exist; 37 Free Fall; 38 All [Descendents]; 39 Tempest; 40 Smells Like Unwashed Lederhosen [Nirvana]; 41 Pinto Bean; 42 Turn, Turn, Turn [Byrds]; 43 Shoes For Brunch Instrumental; 44 Psycho Slut; 45 Double Fucked By Two Black Studs [King Missile]; 46 Turn The Tape Over Now; notes: 7-24 are the bonus songs from The Catastrophes of Sound Volume III; 21 recorded live at Gilbreath Hall, East Tennessee State University on the Language Day Festival (sung in German); 22 is a perversion of "Tubular Bells"; 23 recorded live at Skater Party '91 in Jonesborough (we get around); 25-30 recorded live in Fred Five's basement (Oct. 1991); 31-35 recorded live at the Down Home in Johnson City, TN (Nov. 1991); 40 is a perversion of "Smells Like Teen Spirit"; 42-44 are the bonus songs from The Catastrophes of Sound Volume I; the bassist/guitarist (Fred V) and drummer (Donut) left the band during the making of this album, probably explaining its "thrown together" feel; packaging involved a tape with no case wrapped loosely in a sheet of paper with cover art on one side and lyrics & info on the other; the first half of side two is composed of live tracks